“For all parties involved,” because the camera is always guilty. It is the same argument Daniel Miller makes against Sandra in the film: “you just want to create spectacle.” And let it be known: she initially refused to quote-tweet on the grounds that she did not want to provide a platform, only to reverse herself once it became popular enough that her intervention could be dismissed as merely “a drop in the ocean.” Everything about this woman is gatekeeping. A moralistic busybody who insists on keeping her hand on the wheel. At the same time, she calls herself an accelerationist. That is the repellent world she is edging toward: trailing behind the tech crowd to skim off the spoils, while simultaneously adopting a moralistic posture and rehearsing infantile notions about the supposed evil of the medium. Probably not out of malice, but out of sheer stupidity.