This is a 🧵 for all NFT twitter noobs, explaining our language/wordings 📖. We have a great culture. Positive, friendly and helpful. Let's keep it this way!

This is a 🧵 for all NFT twitter noobs, explaining our language/wordings 📖. We have a great culture. Positive, friendly and helpful. Let's keep it this way!

Here’s the thing that distinguishes most of the action you’ll see on NFT’s vs the “trenches”: we don’t give a fuck. We’ve been through an absolutely brutal bear market of three grueling years. If we’re still here is because we’re lunatics or absolute believers or dead inside. Usually, all three. The main collections have FLOORS. Like, if they haven’t gone below these 2025 lows they likely litterally never will. This ain’t your trenches idiot shilling your 300 holders 3 milli mcap and dumping his bundles on your heads. Apes and pudgies and Azuki and most major collections have 5-20k unique holders that are committed. They saw it all. They likely formed a bond with the art or the community or the team that sluged out in the bear. Usually all three. They are fun and - the few left - actually viable businesses and mainstream ready. When it comes to art collections, we have mainstream heavy hitters like X-Copy and Beeple and Refik that trascended the NFT term altogether: it’s digital art. The world is moving online forever at breakneck speed. The technology isn’t going anywhere. The user base will only grow. There are funds now. More will come. Liquidity is THIN. There are maybe 50k relevant IP/Brand items that are of interest for them. And maaaaybe 20k art pieces. Maybe. 70k - litterally nothing. I don’t think you understand what actual liquidity entering does to that kind of supply. 2021 was the appetizer, the first page of the book. Enjoy the show.