One of my earliest encounters with NFTs came from a line in an interview: “My works will eventually end up in the landmark collections of digital art.” Back then, I couldn’t understand how someone could look so calmly into the future of something that barely existed. But that confidence stayed with me for a long time. As time passed, I noticed my own thinking shifting. Not because we suddenly got more evidence — we didn’t. But the direction feels clearer now: digital art is gradually becoming part of the broader history of art, not a temporary anomaly. I often think about oversaturation. Yes, the flow is massive. Yes, it’s impossible to see everything. But that happens every time a new artistic medium appears. The speed rises, the volume grows, the environment becomes chaotic — but value still gathers around those who work with meaning, not quantity. To me, digital art isn’t a replacement and not a revolution for the sake of disruption. It’s simply the next step in a long line of artistic media. And I’m starting to feel that we’re not living through a “temporary experiment,” but the early stages of something that will eventually become part of the cultural landscape. And maybe the strangest part is the quiet certainty that everything is moving in that direction.